Namie Amuro: ‘Golden Touch’ is a very clever and pretty amusing music video by J-pop sensation, Japanese singer Namie Amuro, which asks all viewers to interact with the clip by simply placing their finger in the centre of their desktop/tablet/mobile screen throughout its duration. The effect will astound you so watch NOW. We really LOVE this! 🙂
Dulk: We love the amazing creations of Spanish illustrator and street artist Antonio Segura Donat, aka Dulk, who leads us into a colourful and dreamlike universe of fantastical creatures, fairy tales and surreal landscapes. He has shown his work in England, Germany, Holland, France, Italy and Belgium, where he has recently won a major international award. Dulk’s style is an explosive combination of influences, mixed with a bizarre, burlesque and affectionate touch that makes it compact, direct and very honest. He creates characters and stories based on his own dreams and everyday events, mixing fact and fiction, with a touch of pop surrealism and is one of the leading figures of the Spanish illustration scene. Awesome stuff! 🙂
Cat Lady Dance: Directed by Scott Winn, our WTF music video of the day, ‘Cat Lady Dance’ features two dancers surrounded by a gaggle of fake cats with a product plug for Oreo, robot moves and some edgy music. Cat Lady. Milk Man. Dancing Cats. Music. Umm okay then. Enjoy! 🙂
Martin Roller: We love this selection of twisted yet intriguing hybrid objects by German artist Martin Roller, who hijacks everyday items to create fun mash-ups including some improbable and delirious compositions between a tyre and a birthday cake, a banana and laces or a shoe and various cold cuts. Shot with a polished, commercial aesthetic, the mash-ups are instantly appealing. But beyond their eye-catching qualities, the compositions speak to the malleable properties of identity. Sure, you’re a banana one day, but who says you have to be a fruit all your life? In Martin Roller’s imagination, a banana can easily become a shoe and that’s what is so great about art in general – it has the power to transform and transcend. Perhaps the most impressive part about Roller’s images, however, are the fact that they are not digitally created. In fact, Martin Roller blends each object together by hand, meaning that the objects do exist in real life and because digital technology is so pervasive and accessible, Roller challenges himself by using real-life sources to make his collages. Fantastic work! 🙂
Vivid Sydney 2015: We love the Sydney Opera House‘s contribution to VIVID Sydney 2015 which is a global animation project by Universal Everything, collaborating with over 20 different animation studios worldwide to create a living mural on one of the world’s most iconic buildings. Embracing emerging technologies, Universal Everything’s process always starts from drawings, with techniques seen in this film akin to the early pioneers of animation including Len Lye, Norman McLaren and Walt Disney. Using these timeless techniques mean this film could have existed in 1920, albeit with a 21st century twist – bringing influences of global pop culture, modernist graphics and physics simulations into a playful exploration of this Sydney icon. Awesome work! 🙂
Creative Director: Matt Pyke
Animation Director: Chris Perry
Sound Designer: Simon Pyke / Freefarm
Producer: Greg Povey
On-Site Producer: Mic Gruchy – grup.tv
Coco de Mer: Under The Skin writer Walter Campbell and legendary photographer Rankin have paired up for X, a short film about sex that’s something of a sensory overload, made in partnership with underwear and sex toy brand Coco De Mer. Using a combination of found footage, seductive acting and an at times brutal soundtrack, X invites you into an otherworldly erotic realm; mixing danger, violence and sex. “The film embraces the sense of the ambient mind and what it might be inspired by, the transgression from banality into wonder”, says Campbell. “More and more I feel we enter the hinterlands of that dream state simply because the mind seeks something wilder, that unpredictable thing, the surprise moment. The film speaks about the morphing of these possibilities, and evokes Coco de Mer’s evolution of erotic thought. Coco de Mer embodies those wonderful flights of imagination that steer the mind to more extraordinary, more vital energies, and this campaign is an exciting platform for the brand to open up the erotic conversation even further.” It’s contemporary, erotic and a lil bit naughty, check it out – LOVE! For the official Coco de Mer website, click here
Alexey Kondakov: We love the beautiful creations of Ukrainian art director Alexey Kondakov, who inserts characters from the masterpieces of classical painting into the streets of modern-day Kiev, everything from Caravaggio to Nicolas Regnier through to Francesco Furini. For more, we suggest a visit to Alexey Kondakov’s Facebook page. Enjoy! 🙂
Squarepusher: To mark the release of ‘Stor Eiglass’, the latest track from Squarepusher’s ‘Damogen Furies’ album, bleeding-edge artists Marshmallow Laser Feast (MLF), Blue Zoo and Rob Pybus have come together to create not just a standard music video, but a virtual reality (VR) promo that can be experienced via a VR headsets, mobiles, tablets and Youtube’s new 360º platform. Read more at the Warp Records website. Bring on the future – brilliant!
For the fully immersive and complete virtual reality experience:
Android / Google Cardboard Version: http://smarturl.it/stor-eiglass-play
IOS: http://smarturl.it/stor-eiglass-ios
Desktop: Best Viewed in Chrome Browser. (use mouse or keyboard keys W/A/S/D to change perspective) or view via the YouTube app for Android (move device around to view different angles)
LEGO: We love the ‘Legographie’ series created by French photographer Sofiane Samlal, who has fun staging his LEGO minifigs into beautiful photographs, which are both cute and funny. Fantastic work!
Sia: We can’t get enough of Sia’s haunting take on the 1965 The Mamas & The Papas tune, which was mastered for the San Andreas soundtrack and is grand, epic, and catchy – the sort of song you’ll most likely find yourself dramatically lip syncing to. Though it begins with a magnificent orchestra, the song transforms into a dance floor anthem (as Sia songs can do). With a different intention than the folk-rock quartet, this version seems to dwell on loss and catastrophe, proving the versatility of music ever the more. Damn, Sia—you’ve done it again. LOVE and on repeat all day.
