The Wizard of Oz and Age of Ultron Mashup: We LOVE this short video by Australian visual effects artist Darren Wallace, who has put together this awesome The Wizard of Oz and Age of Ultron Mashup. It’s a must-watch – so clever!
Stephen McMennamy: We love the fantastic ‘ComboPhoto’ series by American photographer Stephen McMennamy, who has a laugh on Instagram and Tumblr juxtaposing unrelated photos to create funny and very clever mashups. Great stuff! 🙂
The Grand Overlook Hotel: We really love ‘The Grand Overlook Hotel’ by Steve Ramsden which is a very clever mashup between the movies ‘The Shining’ and ‘The Grand Budapest Hotel’. The universe of Wes Anderson meets the world of Stanley Kubrick and Stephen King – Fantastic work!
Martin Roller: We love this selection of twisted yet intriguing hybrid objects by German artist Martin Roller, who hijacks everyday items to create fun mash-ups including some improbable and delirious compositions between a tyre and a birthday cake, a banana and laces or a shoe and various cold cuts. Shot with a polished, commercial aesthetic, the mash-ups are instantly appealing. But beyond their eye-catching qualities, the compositions speak to the malleable properties of identity. Sure, you’re a banana one day, but who says you have to be a fruit all your life? In Martin Roller’s imagination, a banana can easily become a shoe and that’s what is so great about art in general – it has the power to transform and transcend. Perhaps the most impressive part about Roller’s images, however, are the fact that they are not digitally created. In fact, Martin Roller blends each object together by hand, meaning that the objects do exist in real life and because digital technology is so pervasive and accessible, Roller challenges himself by using real-life sources to make his collages. Fantastic work! 🙂
Visual Effects: We randomly stumbled across this excellent montage created by Jim Casey showcasing the evolution of visual effects from 1878 to 2014. Check it out – hypnotic!
Butcher Billy: ‘Superpowered Post-Punk’ is a new series of illustrations created by Butcher Billy, who continues to mix his two favourite universes to offer us beautiful mashups between the pop world of Marvel superheroes and the trash world of Punk and Rock. A creative director at a busy digital agency in Brazil by day, Butcher Billy was just a kid when he first realised with just a pack of crayons in his tiny hands – no walls were safe. It’s that sort of rule-breaking, devil may care, chaotic attitude that inspires Butcher Billy’s art. He takes what is considered pop culture from a variety of sources – music, comic books, movies, games, etcetera – and mashes them all together to come up with something that draws on nostalgia while, at the same time, provides the audience with a fresh take on a familiar scene. In this side of the world, making a pop culture reference can be tedious and common place. Everyone does it these days, but somehow only a few people, Butcher Billy in particular, get away with it. In Butcher’s case, it could be because of his use of dynamic colors: bright, bold, hard to miss or it could be because of his unique take on childhood favourites. Butcher Billy is a one-man assembly line when it comes to his pieces and can churn out new creations at a cracking pace, drawing stuff without sacrificing quality. It’s that passion for his craft that, like one of his superhero mashup creations, seems to make him virtually unstoppable. For a complete look at Butcher Billy’s entire portfolio of amazing work, we strongly urge you to visit his Behance site and if you are interested in purchasing any of his pieces, visit his website.
Milo Greene: Everyone loves a good lie – or rather, uncovering one. It’s newsworthy, it’s scandalous and it’s hard to look away. So it’s only fitting that, to visualise their song ‘Lie to Me’, indie-electro quartet Milo Greene created a mash-up of some of the most monumental lies and scandals throughout history, particularly in the pop culture realm. From Real Housewives of New Jersey’s Teresa and Joe Giudice’s assorted crimes to Bill Clinton’s infamous statement, “I did not have sexual relations with that woman,” this video, contains some particularly cringe-worthy material. If you haven’t heard of Milo Greene before, know that: A. It’s a not a singular person named Milo, it’s a band; and B. It isn’t your average band. Each member of the quartet — Graham Fink, Marlana Sheetz, Robbie Arnett and Andrew Heringer – is a distinct songwriter and vocal duties alternate. Accordingly, Milo Greene’s sound is as varied and ever-changing as their non-defined roles. “The sound has evolved, but this band is the four of us as writers and singers,” says Fink. “It’s very centered both on our vocal presences and our identities as writers. We come from different perspectives, so that cross-section is what makes us distinct from what we would be as individuals. It’s the sum-of-the-parts thing.” The band describe their sound by explaining, “Originally when we started this band we wanted to create music that we could potentially see being placed in movies and TV,” says singer/multi-instrumentalist Sheetz. “We really love scoring and that’s how we wanted the music to sound. Very cinematic – which is kind of why we like to call it cinematic-pop.” Milo Greene is the name of a fictitious booking agent, a persona created by the band to help them get gigs in the early days of playing shows. The band describes Milo’s identity: “He’s British. He wears a three-piece-suit. He wears a monocle. He’s albino. He has chops, sideburns. He’s confident, charming, well-read, well-spoken. He’s a gentleman, the kind of guy we all aspire to be.” The band decided to keep the name of their fictitious booking agent for the group. This completely collaborative and unconventionally structured band is making waves so check them out. Milo Greene’s new album Control was released in January 2015 and is available now.
Downton Funk: Nothing’s funkier and funnier than Post-Edwardian British class struggles in this very clever Uptown Funk / Downton Abbey mash-up. Love this – ‘Downton Funk’ is a must-watch!
Mary Poppins: Andy Rehfeldt has created a fantastic mashup featuring English super nanny Mary Poppins belting out a death metal version of the her trademark song “Supercalifragilisticexpialidocious“. Singers Sera Hatchett of Mercy Brown and Thomas Hinds performed the vocals, Andy Rehfeldt played all the instruments, and music producer Grant Cornish did all the arrangements. Mary Poppins is a 1964 musical fantasy film directed by Robert Stevenson and produced by Walt Disney, with songs written and composed by the Sherman Brothers. The screenplay is by Bill Walsh and Don DaGradi, loosely based on P. L. Travers’ book series of the same name. The film, which combines live-action and animation, stars Julie Andrews in the role of a magical nanny who visits a dysfunctional family in London and employs her unique brand of lifestyle to improve the family’s dynamic. Dick Van Dyke, David Tomlinson, and Glynis Johns are featured in supporting roles. The film was shot entirely at the Walt Disney Studios in Burbank, California. Mary Poppins was released to universal acclaim, receiving a total of thirteen Academy Award nominations, including Best Picture—an unsurpassed record for any other film released by the Walt Disney Studios—and won five; Best Actress for Andrews, Best Film Editing, Best Original Music Score, Best Visual Effects, and Best Original Song for “Chim Chim Cher-ee”. In 2013, the film was selected for preservation in the United States National Film Registry by the Library of Congress as being “culturally, historically, or aesthetically significant”. Now check this out, it’s so great!
